helenweston.com Report : Visit Site


  • The main IP address: 198.49.23.144,Your server United States,Columbus ISP:Squarespace Inc.  TLD:com CountryCode:US

    The description :-- sculpture framed floor about menu artist and designer sculpture framed floor about spine point triptych reflecting upon autobiographical themes explored through helen's sculptural body of work; thi...

    This report updates in 05-Dec-2018

Created Date:2009-01-25
Changed Date:2018-08-28

Technical data of the helenweston.com


Geo IP provides you such as latitude, longitude and ISP (Internet Service Provider) etc. informations. Our GeoIP service found where is host helenweston.com. Currently, hosted in United States and its service provider is Squarespace Inc. .

Latitude: 39.961181640625
Longitude: -82.99878692627
Country: United States (US)
City: Columbus
Region: Ohio
ISP: Squarespace Inc.

HTTP Header Analysis


HTTP Header information is a part of HTTP protocol that a user's browser sends to called containing the details of what the browser wants and will accept back from the web server.

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X-PC-Date:Tue, 04 Dec 2018 11:33:15 GMT
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DNS

soa:ns1.daily.co.uk. root.helenweston.com. 2016042906 10800 900 604800 43200
ns:ns2.daily.co.uk.
ns1.daily.co.uk.
ipv4:IP:198.49.23.144
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OWNER:SQUARESPACE - Squarespace, Inc., US
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IP:198.49.23.145
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OWNER:SQUARESPACE - Squarespace, Inc., US
Country:US
IP:198.185.159.144
ASN:53831
OWNER:SQUARESPACE - Squarespace, Inc., US
Country:US
IP:198.185.159.145
ASN:53831
OWNER:SQUARESPACE - Squarespace, Inc., US
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mx:MX preference = 10, mail exchanger = mx.daily.co.uk.

HtmlToText

-- sculpture framed floor about menu artist and designer sculpture framed floor about spine point triptych reflecting upon autobiographical themes explored through helen's sculptural body of work; this piece acts as an overview, a point of quiet reflection. it hints at memories and experience now distanced and subdued. from afar a dual position of therapist and patient is inferred by the reflective clarity that the piece presents. however, come closer and the onlooker is instantly entangled, entrenched amongst the mass of looped fiber, their own reflection meshed in the folds and the meandering veins that trace a path upwards. the piece holds a childlike quality through the obsessively stitched foam sheet glimpsed between and behind the folds. connotations of patchwork quilts combined with the blanket stitched 'selvedges' offer reminders of the domestic environment. yet, these assumptions are seemingly incongruent with the use of mirrored steel, obsessive bolts and oversized hinges which resonate with hard industrial machinery. has a balance been reached? is this a pause between two opposing, unequal and distinct elements? materials and processes bolted, hinged aluminum and mirrored steel sheets with gun tufted and stitched elements butterfly guard normal 0 false false false en-gb ja x-none following on from 'chink in the armour exploring european and asian historic armour.' butterfly guard' plays with a fragment that protects the neck and shoulder, the shape is flattened creating a pattern cut section. detailing references men’s suiting. woollen thread and shape repetition construct a ‘designed’ pattern. the humorous carpet ‘pom-poms’ and butterfly motif negate the armour’s usefulness. materials and processess shaped steel, aluminum and copper sheet with woven tapestry, gun tufting and stitched details. chink in the armour this piece playfully explores european and asian historic armour, using it as a metaphor for the human psyche. the shape is an abstracted leg fragment. detailing in the work mimics decoration found on armour fragments, however in a subtle twist, it is used to reference weave designs commonly found in men’s suiting fabrics. the woollen thread and peculiar shape of the piece questions the armour’s usefulness. materials and processes manipulated steel sheet with woven tapestry, engraved, stitched and bolted elements. normal 0 false false false en-gb ja x-none stack normal 0 false false false en-gb ja x-none this piece explores; support, reliance, vulnerability, and playfulness. it is the third piece in a group of works including 'laced' and 'cradle' investigating these themes. ‘stack’ refers to games such as ‘jenga’ and ‘cats cradle’. made in parts each element relies on the other to secure its balance. the reflective surfaces manipulate the tensile nature of the cord, bending the lines to form a mass of unexpected playful crossings. materials and processes normal 0 false false false en-gb ja x-none rolled layers of sheet aluminum, perforated steel combined with rolled and etched/distressed brass sections. foam layers with threaded cotton gimp cord. cradle ‘cradle’ is the first in of a series of works that explores support, reliance protection, and/or obstruction, intimidation and hostility within the same piece. the childhood game of ‘cat’s cradle’ is the starting point exploring its innocent playful-ness, and manipulating the tensile character of cord to build a physical and emotional tension in small secretive objects. materials and processes rolled layers of sheet copper, brass, aluminium and perforated steel with sharpened aluminum bolts and cotton cord. laced ‘laced’ is the second of three pieces that explores support, reliance protection, and/or obstruction, intimidation and hostility within the same piece. the childhood game of ‘cat’s cradle’ is the starting point exploring its innocent playful-ness, and manipulating the tensile character of cord to build a physical and emotional tension in small secretive objects. materials and processes rolled layers of sheet copper, brass, aluminum and perforated steel with brass bolts, foam sheet and cotton cord. normal 0 false false false en-gb ja x-none tagged a vessel, a cylindrical chamber, carrying, cradling, protecting one large scroll. connotations of a hand sliding across the page? a stream of personal stories, fantasies or fears. a hint of diaries written and hidden, details masked from public view. an elaborate tag marks a place, perhaps hinting at a significant part of an unreadable text. materials and processes rolled layers of sheet copper, aluminum with sharpened brass bolts. cloth woven metalised polyester, cotton thread, enameled wire with transparent thread. revolver 'revolver' is one of two pieces exploring the connection between 'interior' and 'exterior'. the cylindrical shape as 'vessel' as 'carrier', protector from the outside world or isolator from it. the piece and its title evoke connotations of a gun barrel, however the vessel holds finely woven jewel like scrolls. the woven patterns allude to handwriting, hinting at unreadable/secretive messages. materials and processes rolled layers of sheet copper, aluminum with sharpened brass bolts. cloth woven metalised polyester, cotton thread, enameled wire with transparent thread. normal 0 false false false en-gb ja x-none 'holed up' 'crawling through', 'caught between' yarn is shot through a gun with compressed air and a needle pierces a taught canvas to produce a stitch, the sound of this action is repetitive and loud. air spurts and splutters, blows and sucks, yarn is severed for each stitch by a rotating blade. nothing comforting within this process, nothing cosy. this installation troubles the 'cosy' notions of comfortable domesticity, the social facade of a traditional nuclear family whilst presenting a beautiful aesthetic. shape and placement of the pieces (which can be manipulated with each fresh space the installation inhabits) aims to construct a psychological space between/around the pieces and beckon the onlooker to move in, around and amongst. investigating degrees of openness and concealment, the pieces purposely confuse exterior with interior. by examining what is being shielded and what is exposed the installation explores family secrets and the push and pull between their potential revelation and continued concealment. materials and processes bolted aluminum and copper sheets with enamelled copper wire inserts and gun tufted fibres. dimensions 'holed up': h 100cm x w 32cm x d 35cm / 'crawling through': h 100cm x w 55cm x d 25cm / 'caught between': h 100cm x w 35cm x d 40cm the proctor ‘the proctor’ is based on a rhyming story by edward gorey an american artist and writer whose books are popular with children. the piece questions the sinister implications conjured up by the text and its suitability for children. 'proctor' negotiates the impact of ‘secrets’ that isolate the child, and explores the struggle to reveal - to ‘spill the beans’ - and to hide, simultaneously. materials and processes rolled layers of sheet aluminum with black steel metal rod and bolts. cloth woven metal layers using transparent thread and enameled wires. 96 800x600 normal 0 false false false en-gb ja x-none there was an old woman who lived in a shoe 96 normal 0 false false false en-us x-none x-none ‘there was an old woman who lived in a shoe’ - manipulates adult readings of nursery rhymes familiar in childhood, forcing a review of the nostalgia of childhood. the work explores the notions of comfort, love, protection, nurture and trust associated with the morality and ‘ norms ’ of family life, and the effects on the participants if/when this social structure implodes. materials and processes rolled layers of sheet aluminum, with black steel metal rods and bolts. cloth woven metal layers using transparent thread and enameled wires. 96 800x600 normal 0 false false false en-gb ja x-none famillial disjuncture - green / purple / brown

URL analysis for helenweston.com


http://www.helenweston.com/floorinstallation/
http://www.helenweston.com/cradle/
http://www.helenweston.com/about/
http://www.helenweston.com/tagged/
http://www.helenweston.com/therewasanoldwomanwholivedinashoe/
http://www.helenweston.com/laced/
http://www.helenweston.com/famillialdisjuncture/
http://www.helenweston.com/floor/
http://www.helenweston.com/theproctor/
http://www.helenweston.com/stack/
http://www.helenweston.com/chinkinthearmour/
http://www.helenweston.com/spinepointtriptych/
http://www.helenweston.com/butterflyguard/
http://www.helenweston.com/framed/
http://www.helenweston.com/revolver/

Whois Information


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Domain Name: HELENWESTON.COM
Registry Domain ID: 1539163263_DOMAIN_COM-VRSN
Registrar WHOIS Server: whois.meshdigital.com
Registrar URL: http://www.meshdigital.com
Updated Date: 2018-08-28T09:41:33Z
Creation Date: 2009-01-25T16:55:32Z
Registry Expiry Date: 2020-01-25T16:55:32Z
Registrar: Mesh Digital Limited
Registrar IANA ID: 1390
Registrar Abuse Contact Email:
Registrar Abuse Contact Phone:
Domain Status: ok https://icann.org/epp#ok
Name Server: NS1.DAILY.CO.UK
Name Server: NS2.DAILY.CO.UK
DNSSEC: unsigned
URL of the ICANN Whois Inaccuracy Complaint Form: https://www.icann.org/wicf/
>>> Last update of whois database: 2019-06-12T21:26:55Z <<<

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  REGISTRAR Mesh Digital Limited

SERVERS

  SERVER com.whois-servers.net

  ARGS domain =helenweston.com

  PORT 43

  TYPE domain

DOMAIN

  NAME helenweston.com

  CHANGED 2018-08-28

  CREATED 2009-01-25

STATUS
ok https://icann.org/epp#ok

NSERVER

  NS1.DAILY.CO.UK 195.26.90.11

  NS2.DAILY.CO.UK 31.170.127.155

  REGISTERED yes

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